“Chemoton”

In “Chemoton,” Beas delves into the foundational elements of life as theorized by Tibor Ganti in his concept of chemical automation, first introduced in 1952 and later expanded in his book “The Principles of Life” (1972).  This piece encapsulates Ganti’s assertion that life’s inception hinges on three fundamental properties: metabolism, self-replication, and a membrane that separates the system from its environment. Beas interprets these biological prerequisites through his mixed media work, blending abstract forms and textures to symbolize the complex chemical processes that underlie the genesis of life. The artwork serves as a visual metaphor for the delicate yet powerful forces that drive the emergence of life, exploring the intricate balance and interplay of these essential components. “Chemoton” not only reflects the scientific theory it is named after but also invites contemplation on the profound simplicity and complexity of life’s origins.